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The House on Mango Street
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The House on Mango Street

Select a Chapter:
The House on Mango Street
Hairs
Boys & Girls
My Name
Cathy Queen of Cats
Our Good Day
Laughter
Gil's Furniture Bought & Sold
Meme Ortiz
Louie, His Cousin & His Other Cousin
Marin
Those Who Don't
There Was an Old Woman She Had So Many Children She Didn't Know What to Do
Alicia Who Sees Mice
Darius & the Clouds
And Some More
The Family of Little Feet
A Rice Sandwich
Chanclas
Hips
The First Job
Papa Who Wakes Up Tired in the Dark
Born Bad
Elenita, Cards, Palm, Water
Geraldo No Last Name
Edna's Ruthie
The Earl of Tennessee
Sire
Four Skinny Trees
No Speak English
Rafaela Who Drinks Coconut & Papaya Juice on Tuesdays
Sally
Minerva Writes Poems
Bums in the Attic
Beautiful & Cruel
A Smart Cookie
What Sally Said
The Monkey Garden
Red Clowns
Linoleum Roses
The Three Sisters
Alicia & I Talking on Edna's Steps
A House of My Own
Mango Says Goodbye Sometimes
 
The Three Sisters

Summary:
Three sisters, three aunts, "who [do] not seem to be related to anything but the moon," arrive in the Mango Street community, just after Lucy and Rachel's baby sister dies. Esperanza meets these three strange women when she visits Lucy and Rachel's house to pay her respects. Examining her hands, the sisters tell Esperanza that she will go far. They tell her to make a wish. She does. The sisters promise her that her wish will come true: "We know, we know." One of the sisters tells Esperanza that, when she leaves, she must "remember to come back for the others. for the ones who cannot leave as easily as you."

 

Analysis
In one of the most highly and explicitly symbolic passages in the book, Cisneros evokes the ancient mythological image of the Fates: "in Greek religion and mythology, three goddesses who controlled human lives. Clotho, who spun the web of life; Lachesis, who measured its length; and Atropos, who cut it" (Columbia Electronic Encyclopedia, sixth edition). The three women whom Esperanza meets symbolize the Fates; thus, they symbolize Esperanza's destiny. She will leave Mango Street for, readers can only presume, a home of her own-we can assume this is the wish that Esperanza makes-but she will also, in some way-and not necessarily literally-return, "for the others." The sisters' words thus anticipate the novel's conclusion (see "Mango Says Goodbye Sometimes"). They also summarize the tension, throughout the novel, regarding one's identity: one can shape one's identity, but not outside of the experiences and background one cannot choose or change.

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